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Douglas Fraser
Editorial
Flower & Tiger
posted:
It’s winter and my activities are more inside. The sun’s low in the sky, and the days are short. A breath of warmth is through an orchid that resides on our kitchen table. The little gem holds it’s bloom for quite along time. At least compared to other potted and pampered offerings. When having a coffee or sitting to eat, this little friend pleasantly offers it’s beauty. It whispers warmer days are ahead. 
Orchid - pencil sketch

Orchid - oils on panel, 11 x 14 inches

Hey Sport - oils on panel, 24 x 10 inches

Carl's Tiger - oils on panel, 14 x 10 inches

Camaro & Dirt Bike
posted:
I think it was the combination of the flat bone white bleached paint with dry grass, plywood clad garage, the tar papered house, in a yard that looked forgotten & sadly beautiful at the same time. The car, a Camaro, looked as though it had not moved in quite some time. The plates seem current, but the registration tags didn't. If a car could have a personality this one seemed to wear a mullet. A hero of an era that had passed. The symbol of earlier muscle cars that had roared, then faded to be replaced by a pale stand-in like this one. A symbol of main street cruzin’ cool, and V8 power that had long ago been castrated. Hmmm …brings to mind the song by The Dead Milkmen, Bitchin’ Camaro.
Early thumbnail pencil sketch - 1.7 x 1.1 inches

Base sketch - 14 x 9 inches

Camaro & Garage - oils on panel, 16 x 25 inches

Dirt Bike - Huskie - oils on panel, 18 x 13 inches

Small Big
posted:
I've been exploring my own framing the last few years. I see some very interesting history on the backside of framed pieces of artwork in galleries. The handmade craftsmanship that went into some of the older pieces has been inspirational for me to take my own thoughts into framing my own work. It's an extention of my interest and thoughts about materials. Also frames have provided a bit of protection from the enviteable shuffling of paintings in a gallery setting. Kind of a merging of a subtle intention of the artist in materials, presentation, and practicality.
Stapler - oils on panel, 16 x 8 inches

Frame materials - 1/4" fir plywood, poplar, and recycled.

Part# 2-15533 Dispenser Cup - oils on panel, 17 x 13 inches

Frame materials - 1/4" poplar and recycled.

And on another note;
I do really enjoy working with vector based graphics. My old Mac was eight years and could not be upgraded. Thank you Apple. So after recently updating the OS on my new refurbished computer, I had to deal with the inevitable fallout of solid running hardware(Scanner, printers, tablet, optical drive, monitor…) being turned into landfill by software “upgrades”. It was a lot of work, and frustration, but it’s all hanging together. I do not enjoy pouring my funds into a computer. They hold their value like a bucket full of holes. I’m running the latest OS now, but I had to do a lot of research to keep my version of Adobe CS6 running. With Adobe moving backwards to a 19th century feudal payment system where workers no longer own their work. Like serfs working the land for the lord(corporation). Never mind the sales pitching from their website(how great the new CC is…blah blah), and being squeezed with updates into a forced obsolescence. So I recently took the step and purchased new Affinity software(Photo & Designer). It’s been a learning curve, but I’m really starting to enjoy some of the new attributes of what I see with their offering. Not to mention a MUCH more rational cost of ownership. That’s right you own your own copy. Still lots to learn though.
 
NeoBike Thingy - 2D vector, Working with CS6 illustrator, with extra help from Affinity Designer. Kind of a bridge piece.

Affinty Designer - workspace

53ft
posted:
53ft - oils on linen, 43 x 34 inches

Driving through southern Alberta last June, I stopped to use a public washroom. Another road that I’ve been over what seems like a hundred times in my life. Highway 2 the longest highway in the province. The highway splits into two roads in the town of Nanton. Each road has 2 lanes in one direction. The east side road going north, and west heading south. This image is from the west side road looking east. One of the few remaining phone booths still in service. The assumption of a world full of iPhones is somewhat a sad joke, but it grows.
Sketch to resolve the basic structure of my painting.

53ft - phone booth

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