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Douglas Fraser
September 2009
Pole Dancing
posted:
I finished this painting about a month ago. I was out and about in an industrial part of my home city. The infrastructure of cities does interest me. The unobserved is interesting to me for it's unassuming aesthetic. The wires, and neutral tones struck me. The linear qualities of the cables have direct abstract qualities. After developing a sketch, I did a color study in vector. I decided to drop out the sky for a more graphic feel in the cables. The painting is 30 by 40 inches, oils on canvas.


Train Spotting
posted:
Recently I worked with Joseph Heroun at The New Republic magazine. We worked on the cover art. We've worked together before, and he was one of the first art directors to encourage me to work with a my more simple direct approach. Joe had an idea in mind which he described to me. I liked the idea as well, and after a few rough sketches, final art was under way. We wanted to keep the colors somber, and dark. The sketches have their own quality which I liked. I began to wonder if executing the piece in an alternative approach might be better. I was waffling, but Joe's direction was a real support. I've found that "sketching" roughs for a looser direct brush mark can get tricky. The direct graphic brush approach in the final is difficult to indicate with a pencil. The rough sketches tend to veer towards another approach. I am proud of the final cover, and the Art Director played a very helpful role in this situation. I'm not always thrilled with concepts floated at me, but when it's working in my opinion....well it's working.
Joe & I discussed the first roughs.
A middle scale for the train was sketched out.
Cover with final text.
Summer Memory
posted:
Fun piece for a themed group show in Calgary, CANADA. The title of the show is Bonfires. It's at the Uppercase gallery. The painting is oils on wooden panel, 9 by 12 inches.
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