top
log-in
A.Richard Allen
Sky Arts Landscape Artist of the Year 2016
posted:
It's been a curious year for all of us. I've had the distraction of taking part in a tv show. Painting landscape. The show, Landscape Artist of the Year 2016, (on Sky Arts in the UK and to be shown at some point in 2017 in the US and Australia) pits seven artists against each other over four hours to paint a particular view. Winners from these six heats plus one Wildcard made it through to the semi-final. From there three progressed into the final and did an additional commission piece in the meantime. This piece along with the final four hour piece was used in judging the winner. And that, friends, was me.
From not exhibiting my work in any meaningful way over the last four years of painting to taking part in a series of timed, judged, competitive challenges, all the time being filmed for tv, was perhaps a little perverse. Particularly as conventional landscapes and painting en plein air simply haven't been part of my practice.
Right now I'm still reeling at the affirmation of the award (and from having to watch myself on telly). Taking part in the show has led to an abiding love for painting landscape, though perhaps not up against the clock or with a tv crew charting my every brushstroke. I've met some lovely, talented people along the way (not least amongst the production staff).
As a condition of winning I undertook a commission for the National Trust of the magnificaent Petworth House, home to a wonderful collection of art (including pieces by Turner, Gainsborough, Bosch, Claude, and Titian). I've been offered an exhibition of my work to take place from March 25 2017 at Petworth itself.
Do have a look at my paintings over at richard-allen.com
My final commission for the National Trust. A diptych referencing Turner's Dewy Morning: Petworth JMWT homage (2016) 61cm x 91cm and Petworth Postcard (2016) 61cm x 91cm (oil on linen)

Petworth Urn (2016) 46cm x 61cm, oil on linen

Petworth Lower Pond (2016) 61cm x 91cm, oil on linen

Petworth Sunset 2 (2016) 61cm x 91cm

Aberdulais 2 (2016) 91cm x 61cm, oil on linen- my commission piece between the semi final and final

Aberdulais 1 (2016) 70cm x 55cm, oil on line. A variation on the above

Postcards (Hardy Country) (2014) 67cm x 91cm, oil on linen A still-life-cum-landscape. My submission piece

My paintings from Sky Arts Landscape Artist of the Year (Stowen, Margate, Urquhart Castle, Aberdulais, my original entry) 2016

Me at work (using the dariole moulds on the edge of my palette I also baked a couple of knockout miniature cheese souffles within the 4 hr challenge)

Books of the Year
posted:
A quick and satisfying section cover for Sarah Habershon at the Guardian


Wave
posted:
A recent piece for the Telegraph newspaper's Money Section cover on- what else?- recent events and their potential financial impact here in the UK plus a handful of other recent editorial illos...

For the Wall Street Journal on making a leap of faith- I think (?) (AD Pete Hausler)
Telgraph Money Cover- Tech stocks' growth potential
WSJ- accepting that one is no longer cool (AD Orlie Kraus)
Telegraph- parched financial forecasts
Telegraph- knock on effects of sterling's fall
Reader's Digest Deutsche- Nobel Prize quiz (AD Markus Ward)
Love Lies Bleeding
posted:
Another book for Sheri Gee at the Folio Society, this time Wraparound cover, inside cover map and seven internal plates for 'Love Lies Bleeding' (1948) by Edmund Crispin.





1
2
4
6
7

Recent Articles
Topics
Archive

Clear Line (30)

Portraiture (17)

Line free (29)

1000000 Tiny Plays (24)
Links
Instagram