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David Gothard
Lions and Tigers and Bears, Oh My!
posted: August 17, 2010
I started my drawing career rendering tedious versions of animals in their environments. A naturalist illustrator is how I envisioned myself. So it's only natural for my mind to be drawn to using animals in a symbolic way, over the years. The animal world has served me well in countless illustrations, but I don't think I've served them well, since subjects such as evil, theft, treachery, and deception are inevitably represented by the cliche and irresponsible perceptions of animals, therefore perpetuating and maligning them as stereotypes. Because our aim is to communicate effectively, we need to work with collective perceptions of the world around us. When this assignment landed concerning con men in the insurance industry, luring unsuspecting (aging) vets...the fox seemed appropriate, as a visual solution. So the fox's wonderful ability to survive as an elusive and skillful predator, becomes deception, and is instantly understood as such. It gives an illustrator reason to pause. The finished art here will not be seen in print, since they went with another sketch. I took a chance before they responded and went to final art on the sketch I thought was the winner (not!). And that's ok with Mr. Fox.

The sketch is always more vital.
A Baaaad Arrangement
posted: June 15, 2010

For Utne Reader, on key environmental groups that are beholden to corporate money, and therefore end up working on their behalf, or at the very least, an ineffectual agenda. It's a pleasure to work for Stephanie, who encourages illers to "surprise" her with a dynamic image.



THE SKETCH

Most Unusual Working Conditions
posted: April 16, 2010
I got caught in Philly yesterday with no art supplies or technology, when the Wall Street Journal called with a quick turnover assignment about the Immigration Bill. I had roughly an hour or two, so I sketched on the back of a map and sent it via Blackberry. With the green light at hand, I sped to Utrecht for ink & brush, watercolor and paper to execute the final art. Then where to draw? Perhaps a pub or Starbucks, but neither has a Mac and scanner. I called upon the venerable University of the Arts, and declared myself a teacher at Pratt (kindred spirits) and threw myself upon their mercy. The Illustration Dept. office manager and chairman were very gracious and the experience was like the next best thing to working in my own studio. thank you to all concerned!
It's Getting UGLY
posted: March 25, 2010
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