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Chip off the ole Book
posted: August 16, 2010
I've done this one before ("SARS" with Fuchs for Nicholas Belchman's Nozone book) We actually redrew the lion as a chicken in that one.
Timmy Hilniger was a Spike Lee joint (I forget which movie). Not sure if this one works or not as Tommy is something of an impure prepster.
Spencerian Script is a script style that flourished in the United States from 1850 to 1925.[1]
Platt Rogers Spencer, whose name the style bears, was impressed with the idea that America needed a penmanship style that could be written quickly, legibly, and elegantly to aid in matters of business correspondence as well as personal letter-writing.
Spencerian Script was developed in 1840, and began soon after to be taught in the school Spencer established specifically for that purpose. He quickly turned out graduates who left his school to start replicas of it abroad, and Spencerian Script thus began to reach the common schools. Spencer never saw the great success that his penmanship style enjoyed, having died in 1864, but his sons took upon themselves the mission of bringing their late father's dream to fruition.[2]
This they did by publishing and distributing Spencer's unpublished book, Spencerian Key to Practical Penmanship, in 1866. Spencerian Script became the standard across the United States and remained so until the 1920s when the spreading popularity of the typewriter rendered its use as a prime method of business communication obsolete.
It was gradually replaced in primary schools with the simpler Palmer Method developed by Austin Norman Palmer.
The text in Ford Motor Company's logo is written in this style, as was the original Coca-Cola logo.[3]
its French, you drink it.
I'm sorry but fuck you— Polo Marco Polo is funny. OK, maybe you're right. Fine, you're right. Urgh.
But you have to admit I nailed Tranny Halfsister.
heres a pic of the famously freaky deaky Chip Kidd. I always respected his choice of headwear (dare we mention anything of his book-design prowess? Nay).
btw - this assignment was killed so don't bother looking for it anywhere. 21 comments |
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logo committee (revision hell)
posted: August 9, 2010
Just wrapped logo with Anne Leigh and a committee of other important TimesSavants®. Lets play a game: you choose the logo you prefer (and give reasoning) and later tonight when it goes live I'll disclose the one they actually chose. One guess. Who ever guesses correctly will receive my entire poster collection (some 10 posters/ books) signed but not delivered (I'm cheap, you'll have to pick it up). OK, below are the marks exactly as I presented them to Anne. Turn over any numbered leaf to pick your poison:
Not sure where this icon will land. Could be on the cover, who knows. I'll update this post as things transpire. Thx to the Itty Bitty Times committee who drove this one home...
I have yet to see the print version of how this ended up looking (sadly after a decade of every day Times, last week we decided to receive the weekend edition) but the online version this morning erred in showing the sketch. I know. I know. Who cares if its weak, your name doesn't go on it anyway! Fine. You're right. But no— you're actually wrong. I've been doing these cheap Times icons for a long while, and, on occasion clients like Ogilvy call the Times and specifically ask who drew a certain design.
This happened recently with my linear icons and I ended up scoring a large corporate account that netted me a good paycheck— a 50,000 paycheck. So yes, anonymous design CAN pay off! And its important that anything you do that could be considered a "donation" (I've never called Times illustrations donations but Luba Lukova does) be done to your liking. Ultimately, you are the only one who stands to gain.
I'm proud of this collab with Kelly. She had a few minor alterations but she would never run something I was unhappy with. Anonymous or credited. Or unfinished with.
here is the final version. I don't like it. And I don't care if you do. It's mine. Or was. Until the itty bitty logo committee came and made it shitty.
Brazil's 2014 logotastrophy (revised)
posted: July 21, 2010
There are so many things wrong with this logo, but I will agree that its premise, or idea, was OK. Let me take a few minutes to tell you whats wrong with this mark and what I would do to quickly amend it.
forgive me. i had to. it took me all but 2.5 hours to tweak this into the quarterfinals. granted thats extra time. go ahead and red card me.
i love the world cup. its no surprise that the most successful Cup to date (that is the one that sold the most tickets) was hosted by the United States, which, hands down breeds the best logo designers in the world.
Freelix logo process
posted: June 28, 2010
Last week on Brand New David E remarked: "The “our process” icon progression just reeks of BS to me. Did they *really* go though that whole process of creating and refining the icon? My guess is that their first sketches were much closer to the final design, and that this was done afterwards in order to make it look to the client like a lot of thought went into it." A guy named Wolfgang also complained that no "competitor audit" was completed. Funny, but it got me thinking. Maybe They're right. Maybe I really am a complete moron. Anyway, let me try to set David and a few other conspiracy theorists straight.
tom and I did these over burgers. we were on the same page from start to finish (literally). no one edited. not even heller. we just went at it and tried to enjoy the creative process (problem solving).
the process spanned 6 months and saw many trips to NYC for meet and greets, river tours, presentations and re-presentations. Heller actually made to our opening, which was nice of him. Unfortunately, no members of the alliance (they have 9) were in attendance.
The client(s) decided not to use the work this year. Kinda hard to stomach, but fine. Sometimes when you free work you have to imagine that the work is actually for you. Yes, you. In slower times creating ideas for things keeps you sane.
part of my process included silkscreening each of the 3 final versions of the marks onto various things. Bags. Posters. Pieces of wood. I did this entirely for my own satisfaction. Gratuitous? Maybe.
Logic: if it ain't any good don't do it. But you still have to please the client, or in our case, 9 clients (an alliance of clients)
part of our task included 10 calendar icons for BxRA. I thought, hey, why not use the icons in a more useful form: signage. I ended up going farther and farther down the "blue sky" hole, redesigning everything remotely aligned with the NYC parks and recreation department, including a strategy for the main logo.
Maybe someday I'll represent it to someone at NYC parks. If it finds a use, you can say you saw it here first. If not, I hope I've impressed David E. with my extensive BS. Sad but true: currently in my BxRA folder lie close to 200 files.
ps- Freelix is dead. Long live Feelix. |
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