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Stephen Kroninger
November 2007
VH1 promo
posted:
This was a promo that aired on VH1 for their just ended Thanksgiving Weekend Marathon. I was called by Shelli Sweeney to ask if I'd be interested in designing and putting together 30 seconds of animation and could I have it finished in a week. I called my good friend Gary Leib to see if he could animate the piece. Gary's a monster. Blair Younger provided us with a mix track and it was our job to put the images to it. The track here is from the scratch track and isn't the final mix. It's not even the final animation as aired but it's close. The VH1 people were great to work with. Anyway, click here to see it. BEST OF VH1 THANKSGIVING spot
Basil Wolverton
posted:
  The Original Art of Basil Wolverton by Glenn Bray, Doug Harvey, and Basil Wolverton. The book is all shot from the original art in Glenn Bray's collection. Great, great, great stuff.

 I also scanned in a batch of Wolverton stuff from off of my bookshelf. I also recommend the books WOOLVERTOONS and POWERHOUSE PEPPER from Fantagraphics Books. Search "Wolverton" You won't be disappointed.
Probably the first Wolverton image many of us ever saw. For me, it was love at first sight. (MAD #11 May 1954)
The above and the following two were done for Harvey Kurtzman's MAD Magazine for a piece entitled "MAD READER." (MAD #11 May 1954)
These were scanned from one of the many reprints of Mad's fifties era material.
Here's a quick Bio to help sort out and make some sense of the following.
1974 reprint cover for BARFLYZE.
Some images from BARFLYZE.
Cover for Wolverton's six volume THE BIBLE STORY. These were given away free through the mail by The Worldwide Church of God up into the eighties. There's much here for even non-believers to love. 280 of Wolverton's Bible illustrations are collected in AGONY AND ECSTACY.
Cain slew his brother Abel.
The Flood
More info on the where and why of these can be found at Basil Wolvertonís THE APOCALYPSE
The shadow on the right edge is due to my scan and not on the original drawings.
Miss Flintney Bont
Graphic Story Magazine No. 14 Winter 71/72 (front cover)
Graphic Story Magazine No. 14 Winter 71/72 (Back Cover)
1973 collection edited by Glenn Bray
1975 collection edited by Glenn Bray
PLOP! Vol. 2 No. 3 Jan/Feb í74
PLOP Vol. 2 No.4 Mar-Apr Ď74
PLOP! Vol.2 No.8 Nov/Dec '74
PLOP! Vol.3 No.11 April '75
Sci-Fi strips collection from LAST GASP.


Basil Wolverton
posted:
Joe Kleinís IN THE ARENA column for TIME
posted:
This piece was about Mitt Romney crawling his way to the top of the Republican heap. (52 layers)
Earlier in the year I recieved a call from Tom Miller at TIME magazine asking if I would be interested in illustrating Joe Klein's column IN THE ARENA. The column runs 43 weeks in a year. Below are some of the images from that collaboration.
This is a sketch for the Romney piece. I like my sketches to be loose because the compositions get set into my head during the collage process. Collage is a wonderfully improvisational art form. Too tight of a sketch generally leads to too tight of a finished piece.
Iranian President Mahmoud Ahmadinejad sketch
 The main art director on these has been Edel Rodriguez. Edel is fantastic to work with. For starters he keeps late hours similar to mine. I generally start work at around 8 or 9 after the kids are in bed and go until 5 or 6 am. With Edel I can send him stuff at around two O'clock and he's still awake for feedback. We've worked out a great rapport and rhythm for these. I get the call on Tuesday afternoon, talk with Edel, send sketches and then have the finish in on Wednesday morning.
Iranian President Mahmoud Ahmadinejad being inflated by the media. I moved the point of insertion for the final. (48 layers)
General Petraeus on stage sketch
This General Petraeus (on Stage) was thought to look too much like a photograph. I generally try to cover my photo-shop tracks but this one got away from me. Tom Miller suggested I try it again pushing my cut-out collage approach to the fore.
General Paetraeus on stage final (50 layers)
John McCain's resurgent campaign (sketch)
For this piece I had Max Fleischer's Popeye Cartoons on DVD playing on my computer while I worked. Edel suggested we swap the tank in the sketch for the GOP logo on Popeye's tattoo. (46 layers)
This was an unpublished sketch for a column dealing with how the Dems were running away from the more centrist Democratic Leadership Counsel for the primaries but would return for the General election.
This is the final for the DLC column. (14 layers)
Like myself, Joe Klein is a big METS fan. The Mets had a monumental collapse at the end of this past baseball season and Klein wrote a great piece on what it means to be a METS fan. The above is an unpublished sketch.
Mr. Met crying sketch
Here again is where Edel's simple but absolutely perfect suggestions come in. This is the first pass on Mr. Met on a white background.
Edel suggested adding the orange to bring out the foreground and not lose the baseball in the white. Orange and blue are the Mets colors. (43 layers) Every broken hearted Mets fan should read Joe Klein's column "Oh, My Mets!" He's one of us.
General Petraeus report sketch
the first smile. Note the Lewis Carroll influence. Someday I'd love to illustrate Alice in Wonderland and Alice through the Looking Glass. Some day.
the finish
Country music star Merle Haggard throws his support behind Hillary Clinton. The collaged guitar is based on Merle's. I could have simply cut and pasted a photo of his guitar but I think it's important to retain as much of a hand made cut and paste look to the pieces as possible and not rely on complete photographs to deliver the image. (25 layers)
Joe Klein wrote a laudatory piece on Senator Clinton's health care proposal. First sketch.
Here again is Edel art directing at two in the morning. I had a ton of white space above the U.S. I was thinking very literally that this was a doctor's visit so I was wracking my brain of what to fill it with. Lights. cabinets etc. Edel suggested the I.V. which seems simple but was the perfect choice and one I hadn't though of since I associate I.V. with hospitals and not check ups. Above in black is Edel's late night sketch to my update and sketch. The dark marker is Edel, the light sketching is me. The I.V. in the finish is nine layers, meaning nine separate images went into the making of it.
Doctor Hillary final. (49 layers)
This is a sketch for a piece concerning U.S. military progress in Iraq undermined by the Bush administrations politics and priorities. The scene is a goat grab.
final. The men depicted are the men referenced in the column, Amar Al-Hakim and Sheik Ahmed [Abu Risha]. (42 layers)
This is this week's. On this I didn't have the column because it was to be written that Tuesday evening after the Democratic debate. Fortunately Obama compared his campaign to Rocky Balboa and handed us the image. Sketch.
Final. The final on this conforms perfectly to the sketch because the sketch was approved late wednesday morning and the final was due at two that same afternoon. (26 layers)
Illustration in the Age of Anxiety
posted:
Parsons The New School for Design Illustration Department presents a new
mini symposium focused on how the current cultural climate is affecting
the field of illustration. The event, “Illustration in the 
Age of Anxiety,” will take place on November 10 at The New School, 55
West 13 Street, at 3pm, and is free and open to the public.

‘Illustration in the Age of Anxiety’ looks at how illustration
handles times of unease and anxiety in our culture, from the atomic
anxiety of the 1950s to today's wars and upheaval. “Illustration in 
the Age of Anxiety” will feature three conversations lead by
prominent and accomplished writers illustrators.

"Shaky Line, Shaky Times: Ed Koren and Ed Sorel in Conversation with
Dan Nadel" will feature master satirical illustrators Ed Koren and Ed
Sorel who will discuss their famously anxious drawing styles and nearly
half century' worth of drawings for hundreds of books and publications.

"Ben Katchor: Reading in Public" will feature MacArthur-award winning
graphic novelist Ben Katchor, who joins Parsons as a full time faculty
member this fall, as he discusses the difficulties of reading in an
uncertain time.

Pop-gothic artists Camille Rose Garcia and Tara McPherson will talk to
Guarnaccia about drawing on the dark side of life in the final session
of the symposium, "A Light in the Dark: Camille Rose Garcia 
and Tara McPherson in conversation with Steven Guarnaccia."

Nora Krug, another new fulltime faculty member in the illustration
department, will deliver the introductory remarks and introduce the
panels.

The event will be held in the Theresa Lang Community and Student Center
at The New School, 55 West 13th Street, 2nd floor, from 3-7 pm and is
free and open to the public. For more information, visit 
www.parsons.newschool.edu/events or 212-229-8919.

 
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