Victor Juhasz was born February 19, 1954 in Newark, New Jersey. He exhibited an interest in drawing early in life but needed the prodding of his high school art teacher to abandon a fantasy of becoming a cross-country truck driver (in retrospect, a really awful idea) and recognize his calling to be an illustrator. A graduate of the Parsons School of Design, Victor began illustrating in 1974 for THE NEW YORK TIMES while still a student and has never looked back since. His humorous caricatures and illustrations have been commissioned by major magazines, newspapers, advertising agencies, and book publishers, both national and international and his clients have included TIME INC., NEWSWEEK, ROLLING STONE, THE WALL STREET JOURNAL, ESQUIRE, GQ, MEN'S JOURNAL, THE WASHINGTON POST, OXFORD UNIVERSITY PRESS, HARPER COLLINS, ST, MARTIN'S PRESS, GROVE/ATLANTIC, SIERRA, OPERA NEWS, THE NATION, BOZELL, FOOTE CONE BELDING, OGILVY & MATHER WORLDWIDE, WERBEAGENTUR ROBERT PUTZ (Germany), PROCTOR & GAMBLE, MORTON SWINSKY PRODUCTIONS and JEFFREY RICHARDS ASSOCIATES (Broadway producers). Victor's illustrations accompanied the hilarious 'Sidespin' columns of David Feherty since he began writing for GOLF Magazine in the mid 90's till the final entry in the March 2012 issue, and have been included in two volumes of Feherty's collected writings published by RUGGEDLAND PRESS. His work with David has extended beyond the magazine pages to collaborations involving various Feherty initiated charities including raising funds for wounded veterans and youth in need. His work appeared monthly for almost 15 years on the front page of the THE NEW YORK OBSERVER and has recently returned to its issues. Victor continues to relish his role as a frequent contributor of satiric images to the "National Affairs" section in ROLLING STONE magazine.
While caricature and humorous illustration comprise the main body of his work, his love of drawing has allowed him to cross over to other aspects of the profession. His work as a courtroom artist for ABC-TV included the arraignment of the notorious Son of Sam, and, for THE WASHINGTON POST, the trial of John Hinckley for the attempted assassination of President Ronald Reagan.
Victor was part of a TROOPS FIRST FOUNDATION tour, "Operation LINKS", of bases in Kuwait and Iraq during Thanksgiving week 2008, accompanying David Feherty and other golf pros, drawing soldiers and Marines, and sending the originals to family members before Christmas. He had the opportunities again to travel with TROOPS FIRST FOUNDATION during Thanksgiving week, 2010, to Marine bases in Helmand Province, Afghanistan, and in 2011 with TFF to Kuwait about which he blogged and posted drawings here on Drawger.com.
Victor is a member of the USAF Art Program through the Society of Illustrators, and his work is part of the permanent collection of the USAF in the Pentagon. His assignments have included documenting, through drawings and paintings (many of which have been posted on Drawger), the training of Special Ops Combat Control and ParaRescue Jumper units. These assignments have been particularly rewarding. In early 2011 he began collaborating with The Joe Bonham Project, started by combat artist and former Marine, Michael D. Fay, drawing and painting wounded soldiers and Marines (in all degrees of severity) at Bethesda Naval Hospital and McGuire Hospital in Richmond, VA, part of an artist documentation of the wars in Iraq and Afghanistan. His drawings and paintings were part of a large, month long, comprehesive exhibition of Joe Bonham Project at the Pepco Edison Place Gallery in Washington, DC, in November 2012.
In August of 2011, Victor embedded as a combat artist with the 1-52nd Arctic Dustoff, an Army helicopter MEDEVAC unit in Kandahar, Afghanistan for two weeks accompanying the medic teams on missions recovering the wounded. In an article titled, "An American Artist in the Combat Zone" the illustrations along with his writing were featured in a GQ app for iPad in and later for GQ online in July, 2012.
Victor also illustrates children's books, and has enjoyed a close relationship with Sleeping Bear Press since 2004. The partnership has resulted in the critically acclaimed and award winning books D IS FOR DEMOCRACY: A CITIZEN'S ALPHABET and EVERYONE COUNTS (both authored by Elissa Grodin), R IS FOR RHYME which received a starred review from Kirkus and was winner of a Gold Medal from the Mom's Choice Awards for 2008, H IS FOR HONOR-A MILITARY FAMILY ALPHABET, and, the latest, Z IS FOR ZEUS, also awarded a Gold Medal from The Mom's Choice Awards in 2009. Released in Spring, 2010, G IS FOR GLADIATOR: An Ancient Rome Alphabet. He is currently working on a book for Sleeping Bear about the famous hot dog barbeque hosted by Franklin and Eleanor Roosevelt for the King and Queen of England in 1939. Visit www.sleepingbearpress.com.
Victor serves on the Board of Directors of the Society of Illustrators in New York City, has appeared in numerous exhibitions, including a Members' Gallery solo exhibit in February, 2010, and the USAF Biennial Exhibits, and has been the recipient of awards and citations for his illustrations, a silver medal from the Society in 2010, the Arthur William Brown Award in 2012 for his work documenting and bringing greater attention for our troops in harms way, in particular the returning wounded, and most recently, a gold medal and the Hamilton King award for his embed work in Afghanistan.
He is honored to be part of Drawger.com and enjoys posting regularly.
He and his wife, Terri Cole, a psychotherapist, life coach, and motivational speaker (www.terricole.com) have three grown and successful sons; Max, a VP of sales living in the Dallas, Texas area; Alex, an Emmy award winning illustrator/animator, and Ben (a Staff Sergeant in the USMCR) and, as of now, proud grandparents to Magnus, Joli, and Milo (thank you Max and Joyce). Victor and Terri live in the New York Berkshires. A sampling of Victor's extensive output can be viewed on his website, WWW.JUHASZILLUSTRATION.COM