life after art school, now what? conversation on JUXTAPOZ
The latest issue of JUXTAPOZ Magazine(September 2013) has a big feature called Art School 101, where recent graduates from four different US art schools ask questions to their professors about life after art school.
I had an honor to represent School of Visual Arts where I have been teaching illustration classes since 2003. One of my former students and very talented young artist Jensine Eckwall and I had a conversation which is featured in this article.
The whole conversation took place in my studio earlier this summer. We probably talked and talked for more than an hour. JUXTAPOZ editors did a great job condensing the essence of conversation into just three pages. Since there are a lot of you out there, some outside of the US where you can get this magazine, who have the same questions Jensine has, I wanted to post the whole conversation here.
*correction: my friend is an 'art director' at Victoria's Secret, not a 'director' as in the article.
This may be a worthwhile 7 minutes for aspiring illustrators and comic artists, or those just who are curious about them.
I don't like to be video-ed, especially that I don't have a good enough confidence on my terrible Japanese accent, and hard to face tha truth(!)
But, it is for PBS, part of a great series in a great theme, and that Tomer was originally contacted but he couldn't so he forwarded my info to them. How can I say no, right? Featuring: Steven Guarnaccia,Sean Murphy, Molly Crabapple.
I had been interviewing fellow illusrators and publishing the article in a Japanese magazine called ILLUSTRATION （イラストレーション）for a little more than two years. The magazine is now going through a big direction change, and the popular feature of foreign (from Japanese point of view) illustrators have ended for now.
I specifically recommend these intervies to illustration students and starting out illustrators, who are working really hard but sometimes have doubt in their future as a professional artist. I am sure their words will inspire you, and encourage you to keep going.
I have been interviewing fellow illustrators and introducing them to Japanese audience through ILLUSTRATION Magazine (イラストレーション) for about two years now.
The new issue just came out. This was the first issue after the huge disaster in Northen Japan. The request from the editor in chief was that they wanted to introduce someone who's work is heartfelt, sweet and touching. Possibly bring smiles to those who are going through tough times. We both thought Brian Rea's work was perfect.
I recommend this interivew to particulary those who recently finished school. Brian talks about his process of getting over style and decoration, importance of sketchbooks, and having passion outside of art, among other things.
I had been extremely busy last half a year or so, and there still are interviews to: SHOUT, Chris Buzelli and Sam Weber that is waiting to be posted on Illustration Friday. I will let you know once they are up on the web.
It's been a little more than a year and I am finally getting used to my bi-monthly gig pretending as a 'journalist' to interview and write articles about foreign* illustrators to Japanese audience of イラストレーション(Illustration) Magazine. (*foreign=from Japanese point of view)
For the latest issue just came out at the end of May, I have interviewed Hanoch Piven, who is an Isaraeli artists who works a lot with American clients, who currently lives and works in Barcelona, Spain. How international!
You don't know Yunmee Kyong's work? You are missing out a lot. But that's no more.
The latest on my illustartor interview article series for Japanese magazine Illustration features Yunmee and her whimsical and fantastic world. (layout are as follows)
It was the longest interview I had so far and probably one of the most inspiring.
Greg talks about his passion and mission to right the wrongs of American history by finding the buried Brown People heroes, giving encouragements and advise to aspiring illustrators especially those who are minorities, and shares a funny story how he ‘fell into’ children’s book world which was not his initial plan.
First time I saw Josh Cochran’s work was when Marcos and I judged Society of Illustrators student competition, probably 4~5 years ago.He had a bunch of beautiful and funny silkscreen prints and “wow”ed us. (We have no idea why he didn’t get into the competition, but his prints ended up accepted into all the major ‘pro’ shows that year, so it was all good.)
Later on we ended up becoming friends, and I have always been amazed by how talented, hard working, prolific, yet extremely humble and down to earth he is.
It was exciting to be able to interview him for my regular contributing article for Japanese ILLUSTRATION Magazine. I had so many questions I wanted to ask, like his transition from concept art to his current work, his multi-cultural background, and most of all, how he feels about all these copycats out there. And yes, he answered them all.
I don’t miss at all my 11 years of corporate life before going back to art school. But it was not all bad either. I was in PR, so my job revolved around finding right people who have good stories. I did a lot of writing, mostly for company brochures and magazines for investors, etc. I have to admit I sometimes miss it.
When my high school classmate and illustrator Tatsuro Kiuchi and Japanese Magazine Illustration asked me to contribute articles about American illustrators, I thought that was, in fact, a great idea.I can mix all my passion: illustration, writing, getting great stories out of great people, and besides I can introduce fantastic American talents Japanese people are not familiar with.(They are historically not so open to things outside of their own country).