In honor of the fourth here is a set of stamps that came out earlier this year. I was imagining these three stamps in a coil that repeated seamlessly so that it would be almost like a ribbon of old glory. But as it turns out, they were chosen for a presorted standard denomination which means that it is used commercially and because the stamps are applied by machine, they need to be separated by about an eighth of an inch. So much for my painstaking seamless repeat..!
I personally haven't gotten any mail with these on the envelope and don't think I'll be buying the coil of 10,000. So, this may be your only chance to see them..!
These guys had been tucked away for ten years but I'm very pleased their stamp was dedicated a few days ago. This one is for the second ounce of a first class envelope. They now make that a "forever" rate so it's labeled "additional ounce". I'd feel a bit like the guy in Fargo without a Frances MacDormand character to boost my self-esteem if I weren't so happy that it finally came out.
It's always great to do work for the Times. The adrenaline rush of the starting gun, fear and foreboding while awaiting sketch approval, the sleep deprivation and finally the anticipation of seeing it in print. You know we all thrive on it..!
"Before" photo of lace on a gown to be exhibited at the Metropolitan Museum. This was a good section, but there is one worn area.
A friend of mine who works as a conservator at the Met Museum had a problem to solve. They had a gown from the turn of the previous century with lengths of the lace trim threadbare and they needed to find a way to present it looking more intact.
Miriam knew that I had done illustrations using my embroidery machine, so she asked me if I thought I could make free-standing lace with it as well. I never had and hesitated, but with her help, I found links to the technique of stitching on water-soluble stabilizer alone. Once you have done that, you can simply wash away the surface and only the stitches remain.
I started by drawing a schematic of the section of lace in Illustrator, brought that into my embroidery machine's software and redrew it... many, many times. Then there was practice with various weights and brands of stabilizer. I tried every thread I could get my hands on; viscose, poly, cotton and every combination of thread and stabilizer.
Inset with ruler marks my segment of lace.
My first efforts were too precise and rigid. But I finally achieved the right amount of variation and look of slight wear to have it blend in with the less damaged portions. The sample above was approved and I moved into production of 6.5 yards in 7" segments.
With the new lace in place. One side of this neckline was almost completely gone.
The exhibit is titled "Death Becomes Her". It opened today (I got to go to the opening party last night..!) There are about 30 gowns from a century of mourning on display. It will be up through Feb 1st.
I commented on a FB article by Ross MacDonald today that I want to be him. That's so true, but instead of binding books and creating letterpress morgue tags, I want to be sewing, knitting and "tatting" my forgeries..! NY Times article Instyle article The Citizen
This was my first attempt (using a different design and a poor choice in stabilizer). It gives you a look at the set-up. Hooped water-soluble stabilizer which will be washed away leaving only the lace.
The Sun Sets on the British Empire… maybe not so much
It has been about a month since I did this illustration for Christian Science Monitor. The vote hadn't taken place and Scotland was on the fence about remaining in the UK.
I am proud of this image because it was completely my idea. It's pretty rare these days that things don't get put through the decision-by-committee mangler. Thank you, CSM..!
Also, fun for me that I used a photo of the public tennis court surface as the texture map. I had taken it six or seven years ago and stored it in my textures file. Perfect for that big round yellow ball of a sun.